Art in the FWG

29 July – 
Volunteer Barbara writes:
As you happen to walk past the birch trees behind the Butterfly Garden or over towards the unusual grafted tree near the Ash Woods, you will notice some changes in these two little areas, as created by installation artist Karl Ciesluk. 
Karl, an established artist with many installations and sculptures to his credit in Canada and internationally, most recently created a labyrinth for the “Beyond the Edge: Artists’ Gardens installations”, organized by Canadensis Botanical Garden Society in the neighbouring field just south of FWG. A couple of Fridays ago he approached some Fletcher volunteers about using a natural feature at FWG as the basis for a temporary work of art.  After considering the proposal and placing some limitations as to what could be done, the Management Committee agreed that he could create something at FWG.
Karl has chosen two concepts: using the birch trees to create ladders to heaven, a homage to volunteers who have died, and wrapping the grafted tree (a Camperdown elm) to highlight the beauty of its limbs. No chemicals or cutting tools will be used and the treatments can be easily removed. FWG will add small signs at these two locations to acknowledge the installations.
There has been controversy about this decision to permit artistic expression at FWG. Karl’s purpose is to show people other ways of looking at nature and our relationship to it, in his own way somewhat similar to what the Fletcher Wildlife Garden is trying to do. 
A question to ponder is how do we balance natural spaces, the desire to have spaces be quiet for wildlife and the art, which will attract people to then come and observe?

2 thoughts on “Art in the FWG

  1. Art in Natural Areas: Fletcher Wildlife Garden

    I think it makes sense to have some art in the Fletcher Wildlife Garden natural areas. The two art installations by Karl Ciesluk enhance our awareness of native trees and complement the aims of persons who dedicate their lives to protecting and conserving wildlife habitats.

    The “ladders” to heavens and sky installation may also be seen as a two-way interconnection between land and sky, with ascending and descending flows of life and spirit.

    I recently made some photos of the two art installations and would be happy to share them as a posting.


    Lorne Peterson

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